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A descendent of Russian-born Orthodox Jewish tailors, Albert Hirschfeld was born in St. Louis in 1903 and moved with his family to New York City before he was ten. He gravitated to drawing early..


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In addition to being Hirschfeld's close personal friend and archivist, Leopold curated New-York Historical's upcoming show The Hirschfeld Century: The Art of Al Hirschfeld opening May 22. Our multimedia exhibition features over 100 original Hirschfeld drawings and shares its name with Leopold's groundbreaking book on the artist.


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18 Of Al Hirschfeld's Greatest Drawings He was the king of Broadway caricature. Now, a new exhibition at the NYPL showcases his immense body of work.


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July 30, 2021 at 8:00 a.m. EDT Al Hirschfeld at home in New York in 1979. The illustrator was known for his black-and-white portraits of stars — and for hiding his daughter's name in his work..


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Al Hirschfeld, (born June 21, 1903, St. Louis, Missouri, U.S.—died January 20, 2003, New York, New York), American caricature artist, especially known for his drawings appearing in The New York Times, portraying show-business personalities.


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A self described "characterist," his signature work, defined by a linear calligraphic style, appeared in virtually every major publication of the last nine decades (including a 75 year relationship with The New York Times) as well as numerous book and record covers and 15 postage stamps.


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Al Hirschfeld and Broadway have been inseparable for seventy-five years, since he published his first theatrical caricature in 1926.. irrepressible linear style for which he has become internationally renowned. Al Hirschfeld, Beyond Broadway celebrates a "Gift to the Nation" of original drawings given by the artist in honor of the Library's.


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When "Colin Quinn Long Story Short" opened at the Helen Hayes Theater in November, producers presented Mr. Quinn and the show's director, Jerry Seinfeld, with a Hirschfeld caricature of the two. For most of the 20th century, nothing defined opening night on Broadway like an Al Hirschfeld drawing of the production, and this one had the familiar swooping line and Hirschfeld signature.


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Still primarily a painter, he flirted with modern styles. Back in New York in 1926, however, he attended a play with agent Dick Maney. During the performance, he doodled a sketch of French actor Sacha Guitry. The agent, impressed, asked Hirschfeld for a fresh copy and sent it to several New York newspapers.


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Nov 18, 2020,09:45am EST This article is more than 3 years old. Share to Facebook Share to Twitter Share to Linkedin The Al Hirschfeld Foundation has just unveiled a new, free, online.


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Albert Hirschfeld (June 21, 1903 - January 20, 2003) was an American caricaturist best known for his black and white portraits of celebrities and Broadway stars in which he hid the name of his daughter Nina after her birth in 1945. [1] Personal life


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Al Hirschfeld (1903-2003) brought a distinct style to celebrity drawings, making his work instantly recognizable —to be "Hirschfelded" was a sign that a performer had arrived. Now for the first time, nine decades of Hirschfeld's work will be on display at the New-York Historical Society in The Hirschfeld Century: The Art of Al Hirschfeld


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Hirschfeld was born in St. Louis, Missouri on June 21, 1903. When he was eleven his family moved to upper Manhattan, where he enrolled in the Art Students League. By the age of seventeen he had.


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For nine decades, Al Hirschfeld's art defined the world of the performing arts primarily through his drawings of productions on Broadway and in Hollywood. He captured the first half century of television and recorded more musicians than any record, CD, or mp3. Now, for a limited time, a unique gallery of his drawings and prints comes to.


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His personal style began to blossom after his introduction to Miquel Covarrubias. Hirschfeld took a studio with the Covarrubias in 1924, and was bit by the bug of caricature that Covarrubias had brought from his native Mexico.


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THE LINE KING OF BROADWAY (U&lc, Spring 1989). Since 1925, Al Hirschfeld has been documenting, in pen and ink, America's plays and players for the drama section of The New York Times.At 85 years of age, this redoubtable artist, with his mane of flowing white hair and long, pointed beard, can still be found at almost any Broadway premiere in an aisle seat making feverish sketches in the dark.